Isozaki Arata: Drawings

As an architect, Isozaki works on architecture and urban planning projects around the world, including Europe, America, the Middle East, Central Asia, China, and Japan. However, the thoughts that inspire his work come from outside architecture. His conceptual process has habitually transcended the framework of architecture to involve areas such as philosophy, art, design, music, movies, and theater, creating solutions that blend different periods and geographical regions. To Isozaki, drawing a line, regardless of whether it is for an architectural sketch or for a record of his travels, may be the moment when the first inkling of a new thought is produced.

Swapping his camera for a sketchbook as his traveling companion, Isozaki penciled the outline of the Santa Maria Novella in Florence, capturing his personal view of the church, and sketched the karst topography of Guilin from a boat, like a bunjin who, instead of settling in one place, traveled around in a calligraphy boat that became his studio and gallery. Delighted by the vividness of pastel pigments, he used them to draw his proposal for the Donau City Twin Tower in Vienna. And his use of watercolors for projects in China from 2000 onwards represents a homage to the bunjin realized through his own architecture.

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WORKS

Isozaki Arata
Barcelona
バルセロナ
1993
Ink on paper
26.2 x 23.2 cm (10.3 x 9.1 in)
Isozaki Arata
Mito Tower
水戸タワー
1993
Ink on paper
26.2 x 23.2 cm (10.3 x 9.1 in)
Isozaki Arata
Beppu
別府
1999
Pastel on paper
31.5 x 40.5 cm
Isozaki Arata
Berlin
ベルリン
1999
Pastel on paper
31.5 x 40.5 cm
Isozaki Arata
Wein
ウィーン
1999
Pastel on paper
31.5 x 40.5 cm
Isozaki Arata
Nara
奈良
1999
Pastel on paper
31.5 x 40.5 cm
Isozaki Arata
Ueno
上野
1999
Pastel on paper
31.5 x 40.5 cm
Isozaki Arata
Guilin
桂林
1997
Watercolor on paper
31.5 x 40.5 cm
Isozaki Arata
Xi’an
西安
1987
Watercolor on paper
31.5 x 40.5 cm
Isozaki Arata
Nanjing
南京
2008
Watercolor on paper
25 x 23.5 cm (9.8 x 9.2 in)
2022-11-06|
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